Further to the norming function of conducting, the past thirty years demonstrated an emerging exposure of the qualitative component of conducting. Informative for musicians and audiences alike, the shape and semantics of conducting movements are more visible and more directly perceived now than ever, and Ajtony Csaba is interested in their terminology and comparative analysis from a phenomenological perspective rather than a classical one.
Conducting gestures and visual culture
Kapcsolódó Események
- 2013 július 25